In between.... Between the planned exploration visits. Between the conversations. Between the projects.
Noting. Reading. Researching. Facebook postings. Blogs. Newspapers. Videos.
Trying not to be overwhelmed by this city and all that's being written and discussed about it. Knowing that what I need now is to ingest, view, listen. I'll be photographing and talking again in Detroit soon.
But for now, I am in between.
During this time, it may be that the blog itself reflects this period. Passive yet active. Taking it in. Reflection is good.
Thus, in such a time, this blog may be just noting something about Detroit.
One of my favorite from the NBC Local4/Flashpoint.
The status of filming incentives (hey- I'm from LA and this is of interest both from Detroit and LA where I live)
And, the following commentary from Mike Binder, a native Detroit/LA_based film person (in many roles)
From the NYTimes today about the possibility of the first satellite Patent Office opening in Detroit.
January 2011: I am preparing for my first real visit to Detroit, the city of my birth. I am a Californian, where I have been since age one when my parents packed me into a car to seek fame and fortune in LA. It is strange to be defined by something unknown but when asked if I am a "native" Californian, I answer, "No, I was born in Detroit." It seems time to investigate what that means. So I have come "home" on my birthday to photograph Detroit.
This blog is part of an accompanying journal about the project.
Monday, February 21, 2011
Sunday, February 13, 2011
Detroit from afar

I have no claim on the ability to speak to or for Detroit. A photographer with a tenuous link at most to my birth city, who hasn't lived there and until I return more frequently, am in truth like a "photo-tourist."
That said, in my briefest of visits, I found a vibrant city. A surprise to me, yes, for I too had heard only the most negative about Detroit and one, yes, that an urban-archaeologist might have to dig a little to find amid the very real mountain of abandoned and rotted buildings. But underneath and often not far from the surface, there is a vital Detroit filled already with multi-generational residents as well as newcomers with hope and, most importantly, ideas for the future.
An article in this week's Washington Post - "With Detroit in dire straits, mayor invites big thinking" - is informational, not just for its text but for the long list of often haranguing comments. Few are about what to do. Most are about political, economic and racial divide, not atypical of most feedback for anything these days. I wonder when we, as Americans, can live up to our promise and take positive action and not fall back on excuse or incrimination. History is important but it is most vital when considered in terms of effective progress. Those few individuals I have already met in Detroit, from a variety of economic, cultural, political and racial perspectives, for the most part were going forward.
Photo above: View up Woodward from the Penobscot.
Monday, February 7, 2011
Beginning to Feel a Native Pride
Still going through the photographs I took in Detroit just a couple of weeks ago. Seems so long ago but for a first visit, it seems as if I was just there.
This is a new project and as such competes for now with a schedule that includes my long-term project, FINDING CHINATOWN, photographing in the Chinatowns of the US & Canada, with deadlines for an exhibition looming.
It is a tribute to the complexity and lure of Detroit that, although mentioned in the News Hub blog that I was there to photograph the Chinatowns as well as exploring my own family landmarks, in my first four+ days I never made it to Windsor to photograph their Chinatown and, most significantly I never finished my own personal landmark list for wherever I ventured, there was another story to pursue. The journey is truly just
beginning and I cannot wait to return in the Spring (yes I could return before but hey, I may be native Detroit but in truth I am a Southern Californian and it IS cold there right now).
In the interim, I perked up in the middle of the Super Bowl as I watched the Chrysler commercial and Eminem and that incredible choir to see scenes that are now familiar to me, filled with a pride for a native city that I had not known. There is so much to see.


This is a new project and as such competes for now with a schedule that includes my long-term project, FINDING CHINATOWN, photographing in the Chinatowns of the US & Canada, with deadlines for an exhibition looming.
It is a tribute to the complexity and lure of Detroit that, although mentioned in the News Hub blog that I was there to photograph the Chinatowns as well as exploring my own family landmarks, in my first four+ days I never made it to Windsor to photograph their Chinatown and, most significantly I never finished my own personal landmark list for wherever I ventured, there was another story to pursue. The journey is truly just
beginning and I cannot wait to return in the Spring (yes I could return before but hey, I may be native Detroit but in truth I am a Southern Californian and it IS cold there right now).
In the interim, I perked up in the middle of the Super Bowl as I watched the Chrysler commercial and Eminem and that incredible choir to see scenes that are now familiar to me, filled with a pride for a native city that I had not known. There is so much to see.



Thursday, January 27, 2011
Family By House
There are so many ways in which we are connected, whether by six degrees or by place and interest. In this case, it is "by house."
From 1946 to 2011, the Pinehurst House has seen children born, families in life and death.
Below: 20 January 2011, Maurice Faust/January 1946 My father and me, brought home. I posted a version of this before but with Maurice, representing his family home, it seems so much more significant, adding personality and life to this progression.
From 1946 to 2011, the Pinehurst House has seen children born, families in life and death.
Below: 20 January 2011, Maurice Faust/January 1946 My father and me, brought home. I posted a version of this before but with Maurice, representing his family home, it seems so much more significant, adding personality and life to this progression.

Tuesday, January 25, 2011
Over the Wing, 21 January

On board, waiting to fly home to Los Angeles. My section of the plane is silent so far for I have boarded early in order to get my cameras more safely stowed away
My view: over the wing. As I gaze out in the night, the dark wing obstructing the light and activity of a busy airport, I realize I haven't been on a plane since I started seriously photographing the 747 Wing House, still in construction in the hills of Malibu.
There I walk on the wings, now the roof, and think about how this strange behemoth, an aged Boeing 747, no longer able to serve its initial function, has been deconstructed and repurposed into an iconic symbol of something new, a home. Seen in this new light, it becomes something novel, something contributory to design, to culture. Without the vision on the part of the homeowner, my friend, and the architect, a leader in environmental and repurposing theory, this airplane might have become a few hundred/thousand tin cans.
It took vision and continuing commitment. It took engineers who had to think in a new way, to solve the problems of today - how do we attach an aluminium airplane wing to a structure so that it doesn't quite literally fly away in strong winds? So that it doesn't leak in torrential rain? Other than the building of a log cabin perhaps or the contemporary construction of off-grid structures, most homes require this type of interactive teamwork and a continual stream of invention.
So too Detroit, the home of many.
My "blank slate" is starting to pick up some chalky scribbles. No longer am I that native daughter with no preconception. For the welcoming citizens of Detroit are scratching out for me a design of this city, using their words, their deeds, their memories, their hopes and their mutual love and exasperation. It is there for me to see.
How will Detroit be repurposed, for isn't this what Detroit needs? Vision. Preservation. Encouragement. Investment and commitment.
Sunday, the 23rd, someone walked into a Police precinct house in Detroit and shot four police offiicers. The someone died. The officers survived. Yes, this could have happened in any city today with the violence that is eroding our cities. But violence of this sort so often arrives with questions unanswered. Detroit has enough frustration and anger and disappointment to lay the groundwork for such horror. If those who are there to help and those who will hopefully join in can figure out Detroit, perhaps we can figure out too what we would so like to ascribe only to Detroit but, in truth, is happening all around us.
Monday, January 24, 2011
Last Day. First Visit. 21 January.
Friday, the 21st of January, cold but sunny. It is a day to photograph with clouds creating ghostly shapes across the landscape, highlighting then hiding.

The day starts at the very top of the Penobscot Building, once one of America's most celebrated skyscrapers and where my father returned in the '60s & '70s to serve on its Board of Directors. From this high, all of Detroit is clean and clear.

From within the Penobscot, the beauty of the details and the glamour of vintage Detroit remains.

On then to peek in at the Guardian Building. The deep and varied reds of this Mayan revival building made of brick, terra cotta and murals is overwhelmingly dramatic and I am not alone in staring.

There is a part of this musing in this first visit that makes me feel as if I am writing a travelogue and in part, I suppose that is exactly what I am doing. From conversation to conversation in just a short 4 day period, with very few photographs taken and even those in a different manner - quick, often in the presence of someone else - I am simply surveying the city with no true understanding of its meaning. It is frustrating in many ways for me as I want to do more yet as I walk or drive - often too cold or, I am cautioned by others, sometimes too dangerous to be alone with my expensive camera equipment - it feels like I am recording. Perhaps this is why as well that I am journaling and that early step is in fact my own little log from which ultimately I'll discover what it is I am hearing; what it is I am seeing.
What is apparent this day from my first visit at the Penobscot and the Guardian and viewing even smaller buildings such as Annis Furs, or the Detroit skyline in general: one can see that Detroit of old was a city of visionaries. The sadness: other buildings constructed with these dreams presently stand empty, many of them of the size and grandeur of the Guardian and the Penobscot.

Beauty needs people to appreciate and explore it and people add their own amendments to beauty when the economy and social system create the right environment to do so. Architecture remains along with an interest to preserve it, but what can preservation do in the stark face of economic disaster? Industrial Detroit remains - a quick peek into the annual Detroit Auto Show presents new ideas from Detroit's main industry - and perhaps finally that industry is taking note of the change it has itself forgotten about for too long.
As I leave Detroit, it is to the hard work already being done as well as the new ideas from individuals, from social interest groups, from neighborhood block clubs and from industry itself that one must look to go forward. This IS happening (see Model D's review of the Ann Arbor Conference that took place today, "Revitalization & Business: Focus Detroit.")
It is inconceivable that Detroit cannot rise again but much as I already am enamoured of the city in this very brief visit, I cannot get Percy Bysshe Shelley's words in Ozymandias out of my mind:
""My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away."

The day starts at the very top of the Penobscot Building, once one of America's most celebrated skyscrapers and where my father returned in the '60s & '70s to serve on its Board of Directors. From this high, all of Detroit is clean and clear.

From within the Penobscot, the beauty of the details and the glamour of vintage Detroit remains.

On then to peek in at the Guardian Building. The deep and varied reds of this Mayan revival building made of brick, terra cotta and murals is overwhelmingly dramatic and I am not alone in staring.

There is a part of this musing in this first visit that makes me feel as if I am writing a travelogue and in part, I suppose that is exactly what I am doing. From conversation to conversation in just a short 4 day period, with very few photographs taken and even those in a different manner - quick, often in the presence of someone else - I am simply surveying the city with no true understanding of its meaning. It is frustrating in many ways for me as I want to do more yet as I walk or drive - often too cold or, I am cautioned by others, sometimes too dangerous to be alone with my expensive camera equipment - it feels like I am recording. Perhaps this is why as well that I am journaling and that early step is in fact my own little log from which ultimately I'll discover what it is I am hearing; what it is I am seeing.
What is apparent this day from my first visit at the Penobscot and the Guardian and viewing even smaller buildings such as Annis Furs, or the Detroit skyline in general: one can see that Detroit of old was a city of visionaries. The sadness: other buildings constructed with these dreams presently stand empty, many of them of the size and grandeur of the Guardian and the Penobscot.

Beauty needs people to appreciate and explore it and people add their own amendments to beauty when the economy and social system create the right environment to do so. Architecture remains along with an interest to preserve it, but what can preservation do in the stark face of economic disaster? Industrial Detroit remains - a quick peek into the annual Detroit Auto Show presents new ideas from Detroit's main industry - and perhaps finally that industry is taking note of the change it has itself forgotten about for too long.
As I leave Detroit, it is to the hard work already being done as well as the new ideas from individuals, from social interest groups, from neighborhood block clubs and from industry itself that one must look to go forward. This IS happening (see Model D's review of the Ann Arbor Conference that took place today, "Revitalization & Business: Focus Detroit.")
It is inconceivable that Detroit cannot rise again but much as I already am enamoured of the city in this very brief visit, I cannot get Percy Bysshe Shelley's words in Ozymandias out of my mind:
""My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away."

Thursday, January 20, 2011
20 January: Birthday Day Detroit


On my 65th birthday, today 20 January, after 64 years I am back inside my original family home on Pinehurst Drive in the Northwest section of Detroit. I am here through the graciousness of the Faust Family - sisters Mary Faust Hammons and Veronica Faust and their brother Maurice Faust - whose parents purchased this house in 1973.
A remarkable family, with a heritage of four generations in the auto industry, from farmers in Tennesee coming to work the line to college graduates at GM. A family full of activists, teachers, artists. Hard workers, like so many they say are still left in Detroit and if not working now, are ready to do so.

I am here after two full days of wandering all over Detroit, starting Tuesday morning at the Park Avenue House, formerly the Royal Palms Hotel where my father lived from l939 until he married in 1944. This hotel, home of the famous Town Pump restaurant, and other Park Avenue businesses are readying for a comeback.

Buoyed by the morning, I was unprepared for the afternoon where my guide, a photographer and urban explorer drove me from Highland Park to Corktown, to the Train Station, to the Eastside and then the Packard Plant. I know much of this is Detroit history - some closed in the '50s - but the devastation is overwhelming and I am reminded of a film seen years ago with some German friends, the first film filmed in Germany after WWII. Then, as I viewed the protagonist enter a church with no roof and hardly any walls, my friend who had been a child on the streets during the war, leaned over to me and whispered, "These are not sets."
Neither is Detroit a set and the poignancy of these sights is overpowering. I can understand the relevancy of the books of Andrew Moore and of the Marchand/Meffre team for, not only for the sake of Detroit but for the United States at the very least, this part of Detroit is a call to action, not just for Detroit but for all of us to understand what has been happening to our country, slowly, not just in these times but over the years. It is a call to awareness.
Yet at the same time, I could not post last night as emotion overwhelmed me.


There is a reality to what I saw. There are other realities in this complex city as well and my birthday gift today was a day filled with a variety of experiences that again balance some, not all, of what I had seen. This started with a visit with attorney Dwight Phillips whose firm, PfiferWhite, redeveloped the Annis Furs Building, the workplace of my father and a beautiful architectural piece of Detroit.
This view through the 6th Floor windows with cornice pieces.

From there to John K. King Books, one of the largest collections of used and rare books and a lot of whatever else I have ever seen and where I could have stayed forever.

I ended the day with the Fausts at the bi-monthly block meeting of the Henry Jolly Memorial Pinehurst Block Club where passionate neighbors have come together for safety, beautification, plowing their street, and other community activities such as block parties, yard sales and checking in on elderly neighbors. One cannot but come away encouraged how neighborhoods and the strong reinvention of them are becoming an active and essential key to the reestablishment of this beautiful city.
They speak of neighboring block clubs who have contacted them for association. As they say, they are retaking Detroit "block by block."

Although one day remains on this first visit, I must already thank Detroit for this birthday week. The Detroit Regional News Hub has called me a "blank slate," a "native daughter" returning to Detroit with no preconceptions. In many ways that is true and how Detroit, I and perhaps others are defined in this process of exploration still remains unclear but it continues to be fascinating.
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